She That Is: A Meditation on My Goddess

 

A brief explanation to begin: I have been working on-and-off with a small group of people online who have been drawn to a goddess we've come to know as Lady of the Star Fire, or Lady of the Star Forge. For most of us, she is Brigid, the Celtic goddess of smithcraft, poetry and healing, of the holy healing wellspring and the ashless flame, the "fire in the water" of creativity and transformation. We understand her as a creatrix goddess, the sparks of her forge scattered across the universe to create the stars (the closest star being, of course, our sun, so that she also retains some of her traditional solar aspects). Some others in the group came to know her through other "star goddess" figures, including Nuit/Nut in Egyptian tradition, and the Star Goddess of the feri path. As you can imagine, there was some debate and discussion in the group if these were all the same deity, or not.

So for Beltaine, we decided to each spend time in meditation and prayer, and compose an essay of reflection on Her aspects and Her influence in our life, but without using any specific name. My reflections are somewhat clumsy and stream-of-consciousness, but I wanted to share them here with you all (especially since I wasn't able to be there in person for what I hear was a lovely and amazing Beltaine ritual)!

 


 

 

I gather together the candles, the prayer beads, the scattered objects and tools I've consecrated to Her over the past few years, and I set them before me on the altar. Three candles burning. One flame flickering deep, half-hidden in a thick, white pillar mostly melted down, its edges sculpted in soft dips and peaks like slowly collapsing snow or the heights of a mountain. One pillar still like new, solid sculpted wax, churning the cool rusted copper of LED electricity, nestled in its hurricane vase of cracked orange and red glass. One small candle floating, a dull gold ring around a bright, steady flame, hovering suspended by clear water studded with glints and glitter in a dark, blue bowl rimmed with black.

What is She? Who is She? Celestial, ephemeral, pristine and pure, delicate, new, grace itself, fresh and bright. Earthy, dark and grounded, sweat and dirt and hot breath, the hard flex and tension of muscle, the rough power of fire and stone, the burning fluidity of molten ore. Primal, deep and ageless, utter stillness and distance, utter light in the darkness, spun out, flung out, fragmented, holographic, the whispering wholeness buried within each disparate glint of limit and form.

And the hammer, the anvil, the spark – the sweat and hot breath of the universe, the work and labor of the cosmos brought to bear on itself, the earthy Ground of Being lifted, deepened, expanded to fill a sky overwhelmed with the clamor of stars, each forged, each made new, pristine, a shining fragment of light. And the stars, the infinite suns, perfect spheres in a great dance of beauty, humming with song, swung in great arcs as though in one another's arms, spinning into newly created moments, new beginnings, like a child spinning around her center in a fresh spring meadow, arms flung out, effortless in grace and welcome.

And the hiss of the steam, the pulsing of groundwater, the twining thrust of energy rising in the mound, a serpent of stars in the dark earth. The tongue of flame licking dark and bright above the wellspring, the purity and intensity of all-consuming heat, soften, tempered by the fresh, cold waters.

She is too much. I cannot hold onto Her, I cannot see Her – I can only follow the winding, spiraling connections, dynamic and always changing, fluid, fleet. Sometimes She is overwhelming, even austere, so hot and great that Her fire burns cold. Sometimes She is all innocence and promise, coaxing and gentle and warm, caressing and playful. Sometimes She is so intimate I cannot tell Her from my own passion, the drive that spurs me, the energy that courses through my blood and lashes out in righteous anger or sharp, clever words like a long blade. Sometimes, She is absence, void, the emptiness of death or grief, the keening of wind whistling through the hollow, the barely glimpsed sliver of light reflecting off the rainfall in the dusk, wane, distant, not enough.

Who is She? I don't know. I cannot describe Her outside of poetry, and poetry cannot do Her justice. She is creativity at the heart of existence, tempered and expressed in culture and art, the resistance and pressure of material forms that force us into relationship and engagement, and the release from those heavy forms afforded by inspiration and the spark of light and insight that lifts us up beyond ourselves, seems to defy even gravity itself. She is my Goddess, my Sun, my Center, my Light, my Starscape, my Tongue, my Draught, my Forge….

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One Response to She That Is: A Meditation on My Goddess

  1. Blaidd says:

    Alison,  Thanks so much for sharing these meditations with all of us.  Your thoughts are beautiful, and almost a prayer in their power.  Brigit is also very important to me, despite my gender, and speaks to me both within and without.

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